January 23, 2015
School of Art, Edinburgh College of Art, University of Edinburgh (Hunter Lecture Theatre), 10.00 am
with Hans Abbing, Evangelos Chrysagis, The Confraternity of Neoflaggelants (Norman James Hogg and Neil Mulholland), Angela McClanahan, Georgios Papadopoulos, Stevphen Shukaitis, Marina Vishmidt
Taking its cue from debates surrounding the contested character of value in artistic production, this one-day symposium presents an interdisciplinary take on the issue by bringing together scholarship from the fields of anthropology, art and critical theory, Marxism and economics. Some of the areas that the participants will address include the following:
Aesthetic value and processes of urban regeneration
Speculation and art production
Ethical values and economies of affect
Emotional labour, entrepreneurialism and self-precarization
Technologies of value and digital media
Neo-medievalism and hyper-economies
A play featuring things from the Scottish Arts Council’s Glasgow Gallery (1968-74) and the first ten years of Third Eye Centre, Glasgow (1975-86) based on www.glasgowmiraclearchives.org
Commissioned by ‘The Glasgow Miracle: Materials for Alternative Histories’, Glasgow School of Art.
Forthcoming text for Simon Martin book, Ur-Feeling, to be published by Artists’ Film & Video Umbrella, London
A forthcoming publication on Richard Parry’s Salon Neu project.
Ten Years in an Open Necked Shirt (p111-119) is my contribution to:
GENERATION: 25 Years of Contemporary Art in Scotland Guide and Reader
Edited by Moira Jeffrey
National Galleries of Scotland and Glasgow Life
Over the last twenty-five years Scotland has had a growing reputation as an international centre of artistic innovation and experiment for the visual arts. These books accompanyGENERATION: 25 Years of Contemporary Art, a major nationwide exhibition programme showcasing some of the best and most significant art to have emerged from Scotland over the last twenty-five years.
The GENERATION Guide provides a fully illustrated guide to the programme with entries on the work of more than eighty artists being exhibited in over sixty venues throughout Scotland and information about group exhibitions and other projects. It forms the first comprehensive overview of the art of the period. It includes Turner prize winners Douglas Gordon, Simon Starling and Martin Boyce and 2014 nominees Duncan Campbell and Ciara Phillips.
The GENERATION Reader, edited by writer Moira Jeffrey, provides the first collection of key documents from the period including essays, critical writing and artists’ own texts, and offers a guide to the ideas, events and debates that shaped a generation. In it, a selection of archive texts from the period sit alongside newly-commissioned writing which includes an introduction by novelist Louise Welsh and specially commissioned essays by Juliana Engberg, Nicola White, Dr Sarah Lowndes, Professor Andrew Patrizio, Professor Francis McKee and Jenny Richards.
GENERATION Guide and Reader books come in slipcase.
Extent 240pp/128pp. Paperback. 95 colour illustrations, guide and reader in slipcase.
The Four Seasons: MacInnes over Africa
Words: Dr Pru Forrest, Newcastle Art Gallery, New South Wales.
Images: Angus B. MacInnes African Affair paintings (2013-14).
My presentation for the Steven Campbell Trust Lecture at CCA, Glasgow. (10 mins)
Catalogue available from Hour Projects, Copenhagen
The Steven Campbell Trust are delighted to announce that artist Ross Sinclair will be giving the sixth annual Steven Campbell Trust Lecture.
In the role of emcee, Ross Sinclair will be joined by artists, writers, curators and educators; Ellis Luxemburg, Rebecca Gordon-Nesbitt, Jim Colquhoun, David Harding and Neil Mulholland to cast a critical eye over the current state of the visual arts community flourishing in the shadow of the much used (and abused) paradigm of ‘The Glasgow Miracle’.
The Scotland-wide GENERATION project is currently celebrating the development of contemporary art in Scotland over the last 25 years. It has brought exhibitions and projects by over 100 artists to over 60 galleries around the country including landmark installations by both Ross Sinclair and Steven Campbell. To coincide, the BBC produced Scotland’s Art Revolution: The Maverick Generation, featuring Sinclair and contemporaries, charting the development of the recent Scottish scene. But can these kind of large scale, media positioned, centrally funded events ever hope to reflect what’s really going on? Let’s find out.
Sinclair has worked for the past couple of years on an AHRC funded project with Francis McKee, Director of CCA, in partnership with The Glasgow School of Art: The Glasgow Miracle- Materials for Alternative Histories. The project has explored and rationalised existing archival material from the Third Eye Centre and CCA (material spanning the period 1972- the present) and through which Sinclair has conducted an ongoing series of long form interviews with artists building an archive for future historians: http://glasgowmiracle.blogspot.co.uk