Shift/Work @ blip blip blip

Project Space, Patrick Studios, East Street Arts, St Mary’s Lane, Leeds, LS9 7EH 

blipblipblip.co.uk

eaststreetarts.org.uk

What’s a studio & how do we use one?

In conjunction with the No Working Title project: Inventory of Behaviors

A One Day Symposium​​​

Monday 6th February​

In a climate of economic instability, and at a time when artistic practices are continuing to diversify, the symposium aims to explore a number of modes of studio practice. How does exposure to different models of the studio within art school impact on how artists use a studio upon graduation? How do studio groups differ in their support of artist’s practices? What is the relationship between artists and their assistants?

Speakers include a number of prominent art educators; studio groups from a range of different cities; artists and academics who will discuss the practices of artists who employ teams of assistants within their studios.

11.00 Martin Newth ​​​Programme Director of Fine Art, Chelsea College of Arts

11.20 Juan Cruz ​​​​Dean of Fine Art, Royal College of Art

11.40 Neil Mulholland ​Shift/Work, Edinburgh College of Art & Edinburgh Sculpture Workshop

13.30 Adam Townend &​​​ Serf, artists studios and project space, Leeds

        Michaela Cullen

13.50 Annie Carpenter &​​​ Rogue Artists Studios, Manchester

        Taneesha Ahmed

14.10 Adam Phillips &​ The Northern Charter, artists studios and project space, Newcastle – Dawn Bothwell

 15.30 Jenny Dunseath ​Author of ‘Artist Boss: Anthony Caro’s studio assistants and issues of legacy in British Sculpture’

15.50 Phil Mayer ​​​​Ryan Gander’s studio manager

16.10 Jon Wood (TBC)​​​ Research Curator, Henry Moore Institute, Leeds

 16.50 No Working Title​​​ – Jo Addison and Natasha Kidd

 17.00 FINISH

Confraternity of Neoflagellants | 48th Annual Conference of the International Visual Literacy Association

ivla-logo-colour-500pxhttp://ivla.org/conference2016/about/

More specifically, in attunement with neo-animist configurations of the ‘non-human turn’, this paper evokes a cosmology in which aesthetics is not limited to the sensual relations between human self and world but instead describes a synesthetic hyper-economy through which all selves inscribed or enfleshed, animal, vegetable or mineral, represent, translate and interact across the otherwise separate realities they inhabit. As anthropologist Eduardo Kohn argues, a subject, self or mind does not produce signs but is in fact an emergent product of semiosis, of the way it represents the world and is represented by others in the world. In other words a self is a “loci of enchantment”—the non-anthropological outcome of aesthetic processes. Thinking aesthetics in this way intervenes provocatively with the notion of ‘visual literacy’ since it requires a non-symbolic conception of representation as a “open whole” that cannot be confined within human linguistic frameworks.

The Confraternity pursues their speculative cosmology through their ongoing fascination with the enchanted iconicity of medieval sacramental practices such as body part relic-ing. The ritual elevation, translation and sometimes humiliation of ‘person-objects’ epitomizes the dynamic interrelations between corpus and textus, likeness and presence and confounds the hierarchical segregation of ‘representing subject’ from ‘represented thing’.

The A/V presentation takes the form of an alt-future parable, following the synesthetic adventures of an independent broker of sensual exchange. Part corporeal, part corporate and part commodity, Muller Ltd. is a journeying apprentice, or ‘Junior Solution Aligner’, who is pursuing the ultimate ambassadorial title of ‘Universal Travel Adaptor’ by immersing itself in increasingly ‘alien’ centers of experience. As the parable unfolds Muller Ltd’s ‘powers of feeling’ increase dramatically, but only at the terrifying cost of dissolving its own corporeal branding (its iconic ‘equity’) into the synesthetic matrix. The parable thus takes a speculative look at the precarious integrity of visual literacy as it expands its territory into the non-cognitive or ‘illiterate’ realm of the non-human sensorium.

Confraternity of Neoflagellants at Listaháskóli Íslands

10:00 Friday 30th September 2016

Listaháskóli Íslands  11, Þverholt, Reykjavík, 105, Iceland

Still from 'Mobilitas Loci (Muller Ltd.)' 2016

Neomedievalisms are cultural practices that breathe a bouquet of premoderns as permanent rehearsals of coming events. To the medievalist, medievalisms provide powerful indexes that reveal how post-medieval societies have variously imagined ‘little middle ages’ to suit current agendas. To the neomedievalist, however, medievalisms are theory-fictions that facilitate ludic speculation on non-modern futurities. Given its nonmodern condition, contemporary artistic practice has as much in common with the stasis of the middle ages as it does with the avant-garde of the 20th century. This lecture will present some of the ways in which The Confraternity have developed neomedieval materialisms with their own nonmodern lexicon, dense hypereconomic practices that combine production, transfer, consumption, humilitas and virtus.

The Confraternity will transfigure four scripts-into-flesh: When Transfiguration Became Commonplace, Thekarites, Mobilitas Loci (Muller Ltd.) and Let us know about anything wrong, or anything you don’t like about this review, and you could win a $50 Amazon voucher!

The Confraternity will also elaborate some of their curatorial projects (‘Thekaries’ / ‘Bokes’) and ways in which the quasi-neomedieval practices of their peers adopt ‘backward-thinking’ to develop possible premodern futures through a visceral, indulgent, lavish, liturgical and ludic materialism.

SHIFT/WORK Listaháskóli Íslands 26-29/9/16

Shift/Work will run for three days 26-29 September 2016

Listaháskóli Íslands

11, Þverholt, Reykjavík, 105, Iceland

Neil Mulholland, Dan Brown & Jake Watts

grey map of Iceland with indication of Reykjavik

Confraternity of Neoflagellants: Envisioning Future Premodern Materialisms

Day 3 – 23. September, 2016
18.15-18.45
Confraternity of Neoflagellants: Envisioning Future Premodern Materialisms

Performing Situated Knowledges: Space, Time, Vulnerability: 7th Annual Conference on the New Materialisms, Institute of Philosophy and Sociology, Polish Academy of Sciences, Warsaw.

Organized by: New Materialism: Networking European Scholarship on ‘How Matter Comes to Matter’, European Cooperation in Science and Technology (COST), Action IS 1307

This conference is one of a series of new materialism conferences that together aim to explore, through both theoretical and practical multiple transversal methodologies and approaches, the notion that vibrant, agential “matter” matters and further, to investigate the ontological, political, ethical, esthetical, and sociological implications this may carry. This year, whilst acknowledging the fast approaching thirtieth anniversary of the publication of Donna Haraway’s groundbreaking essay on “Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective” (1988), we invite participants to explore, perform anew, and enliven the concept of “situated knowledges”.

http://newmaterialism2016.wixsite.com

Atelier: Daniel Miller

Atelier: Daniel Miller

Atelier’s Dr Angela McClanahan will interview Daniel Miller @DannyAnth within the Still life with flying objects exhibition on Sunday 21st August. Hosted by @Rhubaba as part of @EdArtFest 2016

http://edinburghartfestival.com/whats-on/detail/a-conversation-with-daniel-miller

(Part 1)

(Part 2)

Rhubaba presents Still life with flying objects, a group exhibition that brings together new and existing work by artists including Tim Dodds, Susie Green, Emma Hart and Susan Mowatt. Thinking about objects and why we are drawn to make them, the show will present work by artists who paint, weave, make films and build. In Still life with flying objects liquid paint settles, takes form as a twig, shape-shifts into a piece of rope and later slips off as a snake; a tapestry keeps out the cold, hanging as a soft wall and holding collaged lumps in its weave; at home a camera pans scraping along the radiator, coming across an out of reach cobweb which reveals lost treasure. By reaching under the bed, knotting the yarn and looking through the porthole, the artworks in the show consider what the stuff we surround ourselves with is, how it is made and where it ends up.

Nemoralia

yam

Mr @taytoettayto reprise paleo-futurist potato-based performance for Nemoralia @ Jupiter Artland, 6th August 17:00 Edinburgh Art Festival 2016 https://www.jupiterartland.org/whats-on/nemoralia
symbol

"Sometimes your past comes back to haunt you and drags you back in to help track yourself down."