Ten Years in an Open Necked Shirt (p111-119) is my contribution to:
GENERATION: 25 Years of Contemporary Art in Scotland Guide and Reader
Edited by Moira Jeffrey
National Galleries of Scotland and Glasgow Life
Over the last twenty-five years Scotland has had a growing reputation as an international centre of artistic innovation and experiment for the visual arts. These books accompanyGENERATION: 25 Years of Contemporary Art, a major nationwide exhibition programme showcasing some of the best and most significant art to have emerged from Scotland over the last twenty-five years.
The GENERATION Guide provides a fully illustrated guide to the programme with entries on the work of more than eighty artists being exhibited in over sixty venues throughout Scotland and information about group exhibitions and other projects. It forms the first comprehensive overview of the art of the period. It includes Turner prize winners Douglas Gordon, Simon Starling and Martin Boyce and 2014 nominees Duncan Campbell and Ciara Phillips.
The GENERATION Reader, edited by writer Moira Jeffrey, provides the first collection of key documents from the period including essays, critical writing and artists’ own texts, and offers a guide to the ideas, events and debates that shaped a generation. In it, a selection of archive texts from the period sit alongside newly-commissioned writing which includes an introduction by novelist Louise Welsh and specially commissioned essays by Juliana Engberg, Nicola White, Dr Sarah Lowndes, Professor Andrew Patrizio, Professor Francis McKee and Jenny Richards.
GENERATION Guide and Reader books come in slipcase.
Extent 240pp/128pp. Paperback. 95 colour illustrations, guide and reader in slipcase.
The Steven Campbell Trust are delighted to announce that artist Ross Sinclair will be giving the sixth annual Steven Campbell Trust Lecture.
In the role of emcee, Ross Sinclair will be joined by artists, writers, curators and educators; Ellis Luxemburg, Rebecca Gordon-Nesbitt, Jim Colquhoun, David Harding and Neil Mulholland to cast a critical eye over the current state of the visual arts community flourishing in the shadow of the much used (and abused) paradigm of ‘The Glasgow Miracle’.
The Scotland-wide GENERATION project is currently celebrating the development of contemporary art in Scotland over the last 25 years. It has brought exhibitions and projects by over 100 artists to over 60 galleries around the country including landmark installations by both Ross Sinclair and Steven Campbell. To coincide, the BBC produced Scotland’s Art Revolution: The Maverick Generation, featuring Sinclair and contemporaries, charting the development of the recent Scottish scene. But can these kind of large scale, media positioned, centrally funded events ever hope to reflect what’s really going on? Let’s find out.
Sinclair has worked for the past couple of years on an AHRC funded project with Francis McKee, Director of CCA, in partnership with The Glasgow School of Art: The Glasgow Miracle- Materials for Alternative Histories. The project has explored and rationalised existing archival material from the Third Eye Centre and CCA (material spanning the period 1972- the present) and through which Sinclair has conducted an ongoing series of long form interviews with artists building an archive for future historians: http://glasgowmiracle.blogspot.co.uk
In their first half hour film frieze asks a host of artists and curators – including Laura Aldridge, Duncan Campbell, Alasdair Gray and David Harding – to reflect upon the past, present and future of Glasgow’s art scene. The film was premiered at the Glasgow Film Theatre as part of the BBC Art Screen Festival 2014 and screened again at the ICA, London.
Without a healthy cultural life there is no self-determination, nobody to imagine nationhood, to generate an image of who we might have been, of who we are, and of what we might like to become, writes Neil Mulholland
The recent future of Scottish Art
Robin Baillie and Neil Mulholland
An energetic discussion recorded over two sessions, Baillie/ Mulholland get to the crux of the issues raised by Craig Richardson’s recently published book ‘Scottish Art since 1960: Historical Reflections and Contemporary Overviews’, which describes its intention as: “Providing an analysis and including discussion (interviewing artists, curators and critics and accessing non-catalogued personal archives) towards a new chronology, Richardson here examines and proposes a sequence of precisely denoted ‘exemplary’ works which outlines a self-conscious definition of the interrogative term ‘Scottish art’.”
A symposium exploring the strategies for communicating contemporary art in the public realm
To celebrate and complicate world-renowned Swiss artist Roman Signer’s premiere of his new work, Transmissions from the River (Übertragungen aus dem Fluss), along the River Bogie in Huntly, Scotland, Deveron Arts is pleased to present Who Are We Writing For?, an intensive peer-led symposium addressing the state of critical art discourse and its role in the public realm. Sparked by Signer’s seemingly simple, yet highly theorized oeuvre that defies any specific genre and discourse, Deveron Arts is inviting a select number of participants from across the UK, Europe, and abroad to join in asking ourselves: Can we be both critical AND publicly accessible when it comes to discussing contemporary art?
From acute curatorial statements, strategic public outreach programmes, to mass marketing materials, how are we interpreting, translating, advertising, and elucidating contemporary art today? And who are we really writing for?