Ten Years in an Open Necked Shirt (p111-119) is my contribution to:
GENERATION: 25 Years of Contemporary Art in Scotland Guide and Reader
Edited by Moira Jeffrey
National Galleries of Scotland and Glasgow Life
Over the last twenty-five years Scotland has had a growing reputation as an international centre of artistic innovation and experiment for the visual arts. These books accompanyGENERATION: 25 Years of Contemporary Art, a major nationwide exhibition programme showcasing some of the best and most significant art to have emerged from Scotland over the last twenty-five years.
The GENERATION Guide provides a fully illustrated guide to the programme with entries on the work of more than eighty artists being exhibited in over sixty venues throughout Scotland and information about group exhibitions and other projects. It forms the first comprehensive overview of the art of the period. It includes Turner prize winners Douglas Gordon, Simon Starling and Martin Boyce and 2014 nominees Duncan Campbell and Ciara Phillips.
The GENERATION Reader, edited by writer Moira Jeffrey, provides the first collection of key documents from the period including essays, critical writing and artists’ own texts, and offers a guide to the ideas, events and debates that shaped a generation. In it, a selection of archive texts from the period sit alongside newly-commissioned writing which includes an introduction by novelist Louise Welsh and specially commissioned essays by Juliana Engberg, Nicola White, Dr Sarah Lowndes, Professor Andrew Patrizio, Professor Francis McKee and Jenny Richards.
GENERATION Guide and Reader books come in slipcase.
Extent 240pp/128pp. Paperback. 95 colour illustrations, guide and reader in slipcase.
The rubbled architecture of the semantic apocalypse is a jambient meshwork of infectious crypto-fictions, arche-hymns, cargo-cult objectiles and the untethered futurities of permanent collapse. A tentacular-empire-machine.
Swarming visions, speculations and transmissions are hereby retro-clothed in vaporware, to be neurocast for further maladaptation by the following memechanics of the salvaged future:
AAS, The Confraternity of Neoflagellants, Plastique Fantastique, Head Gallery, Jillian Mayer, WE, English Heretic, Michelle Hannah, Benedict Drew, POLLYFIBRE, The Cult of RAMM:ΣLL:ZΣΣ, Xempeer and Kornelia Remø Klokk.
Dane Sutherland has worked in partnership with Punctum Records to publish and distribute this project.
Exploit.zzxjoanw.Gen | Launch Event
Friday 30 May 2014 | 7-10pm
Exploit.zzxjoanw.Gen is a project by Satellites Programme Intern and curator, Dane Sutherland. He has worked with a number of leading artists to create new music, sound artworks and texts which will be available to purchase as a limited edition USB stick designed by Plastique Fantastique for £30. It will also be available from 31 May as a free digital download from the Collective and Punctum Records websites.
Performances on the night by: Plastique Fantastique, The Cult of RAMM:ΣLL:ZΣΣ and Kornelia Remø Klokk. Doors open at 7pm, performances from 8pm.
City Observatory |
38 Calton Hill, Edinburgh
EH7 5AA @1984_collective
thN Lng folk 2go: Investigating Future Premoderns™
by The Confraternity of Neoflagellants
with a Preface by Simon O’Sullivan
Brooklyn, NY: punctum books, 2013. 242 pages, illus. ISBN-13: 978-0615890258. OPEN-ACCESS e-book and $17.00 [€15.00/£12.00] in print: paperbound/5 X 8 in.
“There will be many things about this guide that you will not like. It might drive a bit too fast for comfort, especially because it has no seatbelts—the Journeyman’s Guide is open top and the roads to its anchorholds swerve all over the place. But you need to drive very fast to see things as things.” (Reviews, Proto-Bitch, Portland, OR)
Book launch tonight Halloween:
In the jousting field of Parc Mont Royale, near Chemin Olmsted, Montréal, QC H2W 1S8, Canada, at 19:00 EST Sergeant at Arms (Norman Hogg) will download a PDF of the book from punctumbooks.com/titles/thn-lng-folk (CAN$ 0) onto his Android cellphone and drink a toast from Horton’s cup.
At Cabaret Voltaire, Spiegelgasse 1, 8001 Zürich, Switzerland:
Keeper of the Wardrobe (Neil Mulholland) will launch the print copy of the book (€15) at 23:00 CET The first advanced print copy will be flagellated then burned, its ashes interned in the bin outside Cabaret Voltaire’s gift shop.
Inspired by the art of Gavin Turk and the ideas in culture his work explores, This Is Not A Book About Gavin Turk is a collection of essays that reflect on big philosophical questions relating to art & life by way of small forensic details relating to apple cores, union jacks, Che Guevara t-shirts, doors and more commissioned at the request of the artist.
This Is Not A Book About Gavin Turk features thought-provoking and playful reflections on everything from advertising to Ariadne, chewing gum to celebrity, eggs to endgames and Sid Vicious to signatures written by an illustrious collection of art critics, novelists, cultural commentators, artists and psychoanalysts. Some of these essays refer directly to Turk’s work; many do not.
Contributors to This Is Not A Book About Gavin Turk include Damien Hirst, Hardy Blechman, Sebastian Horsley, Jon Savage, Fiona Banner, Bob& Roberta Smith, Matthew Collings, Neil Mulholland, Darian Leader, Hari Kunzru, James Flint, Mark Stephens, Jessica Voorsanger, Richard Strange, Josie Barnard and many more. It will be published by Trolley in Spring 2014.
thN Lng folk 2go
by The Confraternity of Neoflagellants
with a Preface by Simon O’Sullivan
Iz thri riwles:
Die earste riwle speketh ov journie — iz al outward, ant riwles de body. Schulen ov swucche thinges az flk bear thmselvs outward; eat, drunch ant werke.
Dis riwle speketh ov anchorit. Schulen ov ascetic.
Die thridde riwle speketh ov host. Schulen ov embody ant transfigure.
Neomedievalisms are cultural practices that breathe a bouquet of premoderns as permanent rehearsals of coming events. Where medievalists may be prone to police the post-medieval weald for ‘inauthentic’ medievalisms, neomedievalists embrace the articulation and mobilisation of metahistorical ‘anachronisms’. To the medievalist, medievalisms provide powerful indexes that reveal how post-medieval societies have variously imagined ‘little middle ages’ to suit modern agendas. To the neomedievalist, medievalisms are theory-fictions that facilitate ludic speculation on non-modern futurities.
While neomedievalist theories have emerged in a variety of fields since the early 1970s — notably in cultural studies of medievalisms, international relations and literary theory — there are few applications that synthesise and put the methodologies of these diverse fields into practice. thN Lng folk 2go applies this extant scholarship as an extradisciplinary practice, dramatising the neomedieval turn in (quasi)objects, persons, work, education, travel, food, ethnicity, media, art, hypereconomics and technology. This speculative journey is ghost authored by a trinity of neomedievalist narrators — Journeyman, Anchorite and Host — each relic-ing their own curious neomedieval futurities.
Drawing its heterogeneous approaches from studies in medievalisms, international relations, literary theory, actor-network theory, anthropology, hypereconomics, art history, aesthetics, ecology, cultural theory, cultural geography, ambience, speculative realism and future studies — thN Lng folk 2go is both an investigation of and a benefaction to a murmuration of neomedievalisms.
thN lng flk 2go iz an boke in fif bokes:
I. L’Amérique Souterraine
Dis earste dale speketh iter pro peregrinis ad metro. Dis boc iz todealet in fif leasse bokes ov journie-men Gambini’s 2 doze hu Lng 2 g0. Iz earste riwle ant ov swucche thinges az duble homo-feaste, drunch ant werke, ant iz ov othre (dug-heids) ant quazi-thinges.
II. Imperium et Sacerdotium
Dis other dale speketh ov nuncii ant procuratores, ov assemblies ant crusades.
III. The Journeyman’s Guide to Anchoritism
Dis thridde dale iz’ov translatione corporis. Dis dale iz ov customz, liturgica, blak noiz, ant self-discipline ov d post-homo man-thinge. Dis boc iz todealet in thri leasse bokes ov ancre’s wittes.
IV. xyzzy: Contemporary Art Before and After Britain
Dis feorthe dale iz’ov beatific ant ov swucche thinges az doth come from the eye’s arrows. Ad te levavi.
V. When Transfiguration Became Commonplace
Dis fifte dale speketh ov host. Dis dale is al of the thridde riwle, wen translatione bcAM hyper-economicus.
*Dis boke is supported by the Carnegie
Trust for the Universities of Scotland
The Confraternity of Neoflagellants are lay peoples dedicated to the ascetic investigation, application, dissemination and treatment of neomedievalisms. The Confraternity of Neoflagellants was founded in 2009 by Serjeant-At-Law Norman Hogg (Université Montréal, Québec) and joined by Keeper of the Wardrobe Neil Mulholland (Université Édimbourg, Écosse). It is a secular and equal opportunities confraternity bound by chirograph.
Follow the Confraternity on Twitter: @neoflagellants
‘Bang the Whole Gang’, is my chapter on glam for Tate Liverpool’s current exhibition catalogue:
Glam! The Performance of Style
8 February – 12 May 2013
£8.00/£6.00 (Gift Aid with donation)
Irreverent and visually excessive, the Glam era is to be critically re-evaluated for the first time in an ambitious new exhibition at Tate Liverpool. Glam, an extravagant pop style which exploded across Britainduring the years 1971 – 5, embraced high and low culture whilst playing with identity and gender definitions. Moving beyond nostalgia, Glam! The Performance of Style will be the first ever exhibition to trace the avant-garde genealogy of Glam, examining its relationship to painting, sculpture, film, performance and installation art in Britain, across Europe and in North America.
Glam emerged in 1971 as the avant-garde pop product par excellence, with the work and ideas of major artists such as Richard Hamilton and Andy Warhol contributing to this. Drawing on avant-garde ideas, key Glam performers such as David Bowie and Roxy Music played with androgyny and conjured an ultra artificial aesthetic which synthesised past styles. This postmodernist style was presented through the optic of the near future with space-age connotations. In a period of enormous social and political unrest, Glam remained detached, seductive yet tantalisingly unattainable.
The exhibition will uncover a repressed aesthetic, revealing the hitherto under-acknowledged exchange between the radical art of the era and Glam expression. Emphasis will fall on performance, in particular ideas of dandyism, exaggerated identity and drag. Included will be works such as Gilbert & George’s iconic video Portrait of the Artists as Young Men 1972, which presents an ultra stylised pose of Gilbert & George as self-conscious decadents. Artists’ use of materials such as vinyl and glitter will be considered, mirroring or allegorising the conventions of Glam, as demonstrated by Marc-Camille Chaimowicz’s Glam-infused theatrical scatter environment Celebration? Realife 1972/2000. The exhibition will also explore how the era provided a backdrop for artists such as Margaret Harrison to assert their identity, often exaggerating and satirising cultural values of beauty and glamour.
Combining historical and thematic elements, Glam! The Performance of Style will bring together important artworks created in a range of media, alongside key documents and photographs, to emphasise the continuing influence of Glam on the contemporary imagination. It will address the under-acknowledged role of Glam in aesthetic and cultural discourse, offering a more comprehensive and nuanced representation of 1970s art.
Glam! The Performance of Style is curated by Darren Pih, Exhibitions and Displays Curator, Tate Liverpool and will tour to the Schirn Kunsthalle Frankfurt (June to September 2013) and Lentos Kunstmuseum Linz (October 2013 to January 2014).