‘Avalon’, Embassy Books, June 2010, Edinburgh.edited by the Confraternity of Neoflagellants
Artist book Unveiling: Rocket MT2010, 48 pages, edition of 500, tells a linear narrative with layered visual meaning. It features images created and compiled by Andro Semeiko, and texts specially written by Neil Mulholland and JJ Charlesworth. It is edited and published in collaboration with Basement Art Projects.Unveiling
Andro Semeiko3 April -23 May 2010Opening: Sat 3 April 2:00-4:30pmBook launch Unveiling: Rocket MT2010, Sat 15 May 2:00-4:30pmFree copies will be available at the launch and from: www.androsemeiko.com/unveilingAndro Semeiko has made the body of work to document the secret creation of a space rocket designed to fly to Mars. Built by a secret society, work began underground in the 17th Century and has been ongoing for three centuries to meet the launch date sometime this year! The secret society has employed experienced miners from the Forest of Dean, who had previously helped the English to capture Berwick-upon-Tweed from the Scots in the thirteenth century. The miners have dug tunnels that stretch under the river Tweed to the village of Spittal, which is to be the actual point where Rocket MT2010 has been constructed. Specially trained rhinos were also shipped in from India to help out with the excavations. The final preparations for the first flight of the Rocket MT2010 are about to commence. The secret society will select fifteen lucky people from Berwick-upon-Tweed to man the rocket on its maiden voyage. They will experience the lovingly crafted Mock Tudor rocket, where things are on a miniature scale but have a grand appearance! Every detail of the rocket has been considered by the secret society. For example, the crewmembers’ urine will be reworked into a delicious drink and their nail clipping will be processed into spacey porridge. The secret society has integrated itself into all levels of the community, enabling them to deny and cover up any rumours that the chimney at Spittal point is in fact the tip of their rocket. Can anyone stop the launch of this Mock Tudor rocket? What is the secret society’s unknown quest to Mars? And why are the people of Berwick-upon-Tweed being offered this unique experience?Project Unveiling consists of an installation in the Gymnasium Gallery and an artist book publication. The installation contains paintings, sculptures, drawings, blueprints, models, a slideshow and several items from Berwick Museum and Art Gallery. It operates in contemporary art context by using mechanisms of archival documentation as well as theatrical methods of delivering a narrative. The blueprints of the Rocket MT2010 are developed in collaboration with Pierre Maré Architects. Life size model of the rocket is built in collaboration with aircraft engineer Simon Heald.
Andro Semeiko is a Georgian artist living and working in London. Exhibition Unveiling is part of his Berwick Gymnasium Fellowship 09/10. Semeiko studied at Tbilisi State Academy of Arts (1998), HKU, Utrecht (2000), Goldsmiths College (2001) and Royal Academy of Arts, London (2006). He has exhibited in New Contemporaries 2001, Camden Arts Centre and Sunderland Museum (2001); Shine, The Lowry, Manchester (2002); Sotheby’s Auction, London (2007); Two Hopes, Tbilisi Opera and Ballet Theatre, Georgia (2007); Kunstvlaai, Amsterdam (2008); Expander Painting, Prague Biennale (2009). He was awarded Kunstanjer 2000 (NL) and British Institution Prize 2004.
Berwick Gymnasium Art GalleryBerwick BarracksThe ParadeBerwick-upon-Tweed TD15 1DGOpening times: 11am – 5pm, Wednesday – SundayTel: 01289304535, Email: email@example.com
The exhibition is made possible by: Matthew Walmsley, Curator of Berwick Gymnasium Art Gallery; Judith King, Curator for Contemporary Art at English Heritage; Anne Moore, Curator of Berwick Museum and Art Gallery; Jim Herbert, Cultural Development Officer at Northumberland County Council. The Berwick Fellowship programme began in 1993 and is awarded annually to selected professional artists who have demonstrated an ongoing commitment to developing their practice. This period of reflective time is intended to give artists an opportunity to produce a new body of work in response to this extraordinary border location.