Category Archives: Shift/Work

Shift/Work : ISSOTL17, Calgary

Shift/Work : ISSOTL17, Calgary, Alberta, 🇨🇦

Directed by Edinburgh Sculpture Workshop (Dan Brown) and Edinburgh College of Art (Prof Neil Mulholland), Shift/Work is a collective that composes workshops that cause participants to reflect upon and recalibrate processes of artistic learning. Key to this is an open engagement with practice (work) as a means of both generating and transferring new knowledge (shift). Our workshops enact new practices and collectively compose open educational resources for artists, art professionals, curators and art educators to adapt and implement. ‘Shift/Work’ is an iterative process, a rolling workshop that can be continually re-performed like a musical score. Given that SoTL generally does not feature in contemporary artistic practice or pedagogy, Shift/Work is distinctive and significant in its engagements with, and innovative contributions, to SoTL.

We will briefly outline the genesis and aims of Shift/Work in relation to SoTL and ‘educationally-turned’ contemporary artistic research, before focusing on Speculations, a participatory workshop composed at Edinburgh Sculpture Workshop then play-tested as part of the Kochi-Muziris Biennale in India (March 2017) and at the Faculty of Fine Arts, University of Agder, Kristiansand, Norway (Sept 2017). In Speculations participants develop, learn and apply speculative methods, processes and practices that cannot be held, observed or enacted without taking risks or experiencing their consequences. Rather than simply reflect upon speculation and artistic research, the workshop actually generates new speculative-artistic methods through participatory action research.

Speculations offers a unique insight into Shift/Work’s ludic approach to workshops as reciprocal and enmeshed game-rules governing how actants interact. Playing the ‘game’ – Speculations – leads to the rules being revised and updated, offering fresh game-theoretic insights. Speculations is, thus, a paragogy, a ludic and ‘meta’ practice of peer-to-peer learning that is central to artistic learning. It is a heuristic to improve our understanding of how parameters calibrate and enable adventurous, creative play. In turn, it demonstrates that play does not just make learning fun, it is constitutive of learning. Speculations unravels and clarifies Shift/Work’s commitment to codifying playful paragogy in order to publish and distribute it as an open educational and artistic resource. This has invaluable implications for SoTL as an experimental paragogy that can transform the whole field of education.

http://www.shift-work.org.uk

@ShiftWorkESW

Shift/Work | Alberta College of Art & Design

@ACAD Alberta College of Art & Design – 1407 14 Ave NW, Calgary 🇨🇦 Tuesday v10th October, 1pm www.acad.ca

Shift/Work: Speculations

With Dan Brown, Neil Mulholland directs Shift/Work, a studio at Edinburgh Sculpture Workshop (ESW) that composes scores designed to encourage players to reflect upon and recalibrate artistic learning. Key to this is an open engagement with practice (work) as a means of both generating and transferring new knowledge (shift). ‘Shift/Work’ is an iterative process, a rolling workshop that can be continually re-performed like a musical score.

Neil will outline the genesis and aims of Shift/Work in relation to the rise of paragogy and para-academia (the ‘undercommons’ of contemporary art and knowledge). He will then focus on Shift/Work’s development of Speculations, a participatory workshop collectively composed at ESW to be performed as part of the Kochi-Muziris Biennale in India (March 2017) and at Teateret, Kristiansand, Norway (August 2017). He will demonstrate how to perform Speculations and provide a copies of its score as an open educational resource for artists to adapt and practise.

@ShiftWorkESW

Shift/Work Kristiansand

Teateret
Kongens gate 2, 4610 Kristiansand, Norway
28-29th August 2017

Shift/Work Kristiansand

Day 1
9:30 Speculations: Make Gold! 1hr
– switchover –
10:40 Workshop Workshop 1hr : (What are the conditions for artistic learning? Define the parameters…)
11:40 Lunch
13:00-15:30 Unlearning (Compose a 2hr workshop):
15mins meditation
45mins discussion
45mins composition
45mins play-test/re-calibrate
Day 2
9:30-11:30 Unlearning (Play Test) 2hrs
11:30 Lunch
13:00 Public School: Designating Public Art (Steven Hurrell) 1.5hrs
14:30 Der Fachidiot (Talk) 45mins, 15mins Q&A
15:15 FIN

“Der Fachidiot”: The paratechnic in the monotechnic

The Porous University – A critical exploration of openness, space and place in Higher Education | 8th and 9th May, An Lòchran, Inverness Campus

Prof Neil Mulholland
“Der Fachidiot”: The Paratechnic in the Monotechnic
(slide cast of provocation paper):

Paratechnic Principals … paraphrasing: ‘5 Principals’ in Corneli & Dandoff, (2011) Synergising individual organisational learning, Wikiversity

1. Diverse methods, diverse communities of practice
2. Externally-facing ’University of Dissensus’ [Readings: 1997]
3. Immediation, 1:1, live
4. Fluid, adaptive co-learning
5. Cooperative and collegiate

The Porous University Symposium – Programme

See ‘Additional info’ for details of sessions which can be viewed online – this includes sessions to be broadcast live via Twitter, and also a parallel session which will run as a webinar on Day 2.

The hashtag for the event is #porousuni

twitter.com/ShiftWorkESW

Shift/Work : Kochi-Muziris Biennale

Shift/Work: Composing and Playing Artistic Workshops

Neil Mulholland & Jake Watts

March 22nd & 23rd 2017

Kochi-Muziris Biennale www.kochimuzirisbiennale.org

Biennale Office, Fort Kochi, Kochi, India

Shift/Work: Speculations

Workshop-Workshop / H-Frame

Wed 22nd March 2017, 10 am to 1 pm

Unlearning

Wed 22nd March 2017, 2:30 pm to 5:30 pm

&

Thurs 23rd March 2017 10 am to 1 pm

Speculations

Thurs 23rd March 2017 2:30 pm to 5:30 pm

The two day sessions are open to art professionals, art teachers, curators and art students. Participants do not require any prior skills or knowledge and do not need to prepare.

Shift/Work Speculations

Shift/Work: Speculations

Speculations is a two day Shift/Workshop. Speculations will be collectively composed and play-tested at Edinburgh Sculpture Workshop on the 3rd and 4th of March 2017, a participatory action-research workshop ordained to fabricate speculative artistic research methods.

Click this link to sign up on Eventbrite

What will we be ‘composing’?

We will compose a workshop in which participants develop, learn and apply speculative artistic research methods. It is crucial that the genesis of this workshop is, in its own right, speculative. Our speculative process encourages artistic practices that cannot be held, observed‌ or enacted without taking risks or experiencing their consequences. To this end, Shift/Work: Speculations will be collectively composed.
Speculative methods may include, but are not limited to: abduction, syncretism, forecasting, futurism, divination, becoming-rites, probing (making and employing actants), paradisciplinarity, ‘pataphysics, hyperstition, theory-fiction, mythopoesis, fabulation, fictioning, (mis)management, gaming / playing, versioning, licensing, servicizing, technés / technoetics, extended cognition (ExC), imaginative propositions, paper architecture, thought experiments, proposing, lateral thinking/feeling/knowing, weird-ing, speculative realism, mangle-practice….

Who are the Shift/Workers?

A compagon of ‘composers’ – comprising artists, curators, designers, musicians, producers, educationalists, social anthropologists, philosophers and futurists – will join us at Edinburgh Sculpture Workshop in March 2017 to scribe and audition Speculations. Working in three groups, participants will compose three iterative workshops. The three groups will then rotate, each participating in the workshops composed by their peers. Our post-workshop re-calibration of the three workshops will translate them into one workshop. Shift/Work will direct this ‘calibrated’ workshop at the Kochi-Muziris Biennale at the end of March 2017.

www.kochimuzirisbiennale.org

At the time of writing, we may only speculate on the form Speculations will take. We speculate that the workshop will enable participants to compose, experience and evaluate an iterative, action-based, peer-to-peer learning experience that is both theoretical and practical. We expect they will learn how their speculations (and their attendant risks and uncertainties) are co-affective upon the experiences of their peers. Like previous Shift/Workshops, Speculations will enact relevant discourses, practices and models of artistic paragogy to enable and inspire participants to adopt speculative methods and implement their own workshops.

We hope that you can come to ESW to take part in the composition phase of this workshop.

Click this link to sign up on Eventbrite

NB: If you are able to particpate for only one day, please contact us to let us know.