Category Archives: Akadēmeia

Akadēmeia, Art, Books, Education, Events, Shift/Work, Talks, Theory, Writing

Re-imagining the Art School | Glasgow School of Art

 

Flourish: Johnny Rodger & Irene McAra McWilliams
Memory, Will and Understanding II

present:

Re-imagining the Art School

Professor Neil Mulholland
(The University of Edinburgh) www.neilmulholland.co.uk shift-work.org.uk

Thursday 24th January 2019 5.30-7pm
Bourdon Lecture Theatre
Glasgow School of Art
https://www.eventbrite.co.uk/e/reimagining-the-art-school-prof-neil-mulholland-tickets-55017781666

Re-imagining the Art School assesses the organisational development of the humanist ‘idea of the art school’ from the post-rationalist perspectives of constructivist and connectivist educational learning theory. It examines how recent internal (‘porous’) and external (‘para’) reforms have transformed the production of subjectivity in art schooling and pioneers the application of theories and methods of para-academia and paragogy in art education. It is the first book to be published on the future of the art school to develop an open access paragogy for artistic learning and research.

Reimagining the Art School will be published in 2019 by Palgrave Macmillan

Location

Bourdon Lecture Theatre , Glasgow School of Art, Bourdon Building
Renfrew Street, Glasgow G3 6RQ
View Map

Akadēmeia, Art, Books, Catalogue, Criticism, Events, Exhibitions, Writing

The Unlearning Organisation: Cultural Devolution and Scotland’s Visual Arts 1967-2017 in Artists in the City: SPACE in ’68 and beyond

Artists in the City: SPACE in 1968 and Beyond
Edited by Anna Harding
Designed by Modern Activity
Published by SPACE (Art Services Grants Limited)
ISBN 978-1-9999278-0-6
Distributed by Cornerhouse Publications, HOME, 2 Tony Wilson Place, Manchester M15 4FN. Price £19.95

SPACE’s 50th Anniversary Archive Display
SPACE Mare Street, London
19 January – 17 March 2018

In celebration of SPACE’s 50th anniversary, a display in the project space presents previously unseen material from SPACE’s archive covering the years 1968-75 as well as photographs of early events and studio sites, capturing the founding years of SPACE and AIR, the Art Information Register which was the sister organization to SPACE. This material forms the basis of the book Artists in the City: SPACE in 1968 and beyond to be published in March.

The book launch event is set for Saturday 17 March, followed by a panel discussion with selected contributors at Whitechapel Art Gallery on Thursday 22 March.

Neil Mulholland – The Unlearning Organisation: Cultural Devolution and Scotland’s Visual Arts 1967-2017

Building on primary research in CCA/GSA’s Third Eye Centre archive and interviews with key stakeholders, this chapter elaborates the ways in which visual artists based in Scotland developed their own civic infrastructure in tandem with the devolution of state arts patronage from London to Edinburgh from 1967 onwards. It demonstrates how the Keynesian arms-length principal inherited by the Scottish Arts Council (SAC) generated a productive tension with nascent Artist Run Initiatives (ARIs) in Scotland. With limited state support, artists successfully developed and ran their own platforms while the Scottish Arts Council founded and led more generously funded (competing) national and civic arts organisations.

Realising Tom Nairn and Bob Tait’s vision of a Scottish International, Scotland’s nascent ARIs bypassed official Scottish and British arts bodies, finding a blueprint and network for their activities in ARIs such as SPACE (London) and PS1 (New York City).

As a means of mapping means of production and systems of distribution over the past half century, the chapter presents snapshots of organisational change at pivotal moments in the devolution of the arts in Scotland: 1971, 1979, 1992 and 1999.

These case studies provide a basis for critical analysis of the devolution of the visual arts since the reconvening of the Scottish Parliament. Following political devolution in 1999, Scotland’s Governments have revoked JM Keynes’ arm’s length Patron State model in favour of the New Labour experiment with Structuration and creative economics that is Creative Scotland. Throwing SAC on the arms-length-bodies bonfire that has raged across R-UK, a centrist ‘creative economy’ model has been accelerated by the SNP.

In some respects, post-devolution Scotland is less devolved than it was in 1994 and, also, less democratically accountable. The chapter proposes that the Scottish Government may best unlearn the existing Union State apparatus by adapting the distinctive model of collaborative advantage that artists have developed to successfully govern their activities over the past 50 years.

Akadēmeia, Paper, Talks, Writing

The Unlearning Organisation: Cultural Devolution and Scotland’s Visual Arts 1967-2017 @ Scottish Society for Art History 2018 Study Day

The Scottish Society for Art History’s Study Day for 2018 is on the theme of Art Organisations and Institutions in Scotland. The event is hosted in association with Fine Art Critical Studies, The Glasgow School of Art, and will take place in the Reid Auditorium, GSA , on Saturday 10 February.

The study day will share current research and scholarship on art institutions, galleries, societies, collectives and support organisations in Scotland. The event will feature a selection of papers from a variety of different speakers, from academics and independent researchers, to curators and practising artists.

Tickets for the study day can be purchased online via Eventbrite: https://www.eventbrite.com/e/art-organisations-and-institutions-in-scotland-ssah-study-day-tickets-39874340225

Neil Mulholland – The Unlearning Organisation: Cultural Devolution and Scotland’s Visual Arts 1967-2017

Building on primary research in CCA/GSA’s Third Eye Centre archive and interviews with key stakeholders, this paper elaborates the ways in which visual artists based in Scotland developed their own civic infrastructure in tandem with the devolution of state arts patronage from London to Edinburgh from 1967 onwards. It demonstrates how the Keynesian arms-length principal inherited by the Scottish Arts Council (SAC) generated a productive tension with nascent Artist Run Initiatives (ARIs) in Scotland. With limited state support, artists successfully developed and ran their own platforms while the Scottish Arts Council founded and led more generously funded (competing) national and civic arts organisations.

Realising Tom Nairn and Bob Tait’s vision of a Scottish International, Scotland’s nascent ARIs bypassed official Scottish and British arts bodies, finding a blueprint and network for their activities in ARIs such as SPACE (London) and PS1 (New York City).

As a means of mapping means of production and systems of distribution over the past half century, the paper presents snapshots of organisational change at pivotal moments in the devolution of the arts in Scotland: 1971, 1979, 1992 and 1999.

Akadēmeia, Education, Paper, Shift/Work, Talks

Shift/Work : ISSOTL17, Calgary

Shift/Work : ISSOTL17, Calgary, Alberta, 🇨🇦

Directed by Edinburgh Sculpture Workshop (Dan Brown) and Edinburgh College of Art (Prof Neil Mulholland), Shift/Work is a collective that composes workshops that cause participants to reflect upon and recalibrate processes of artistic learning. Key to this is an open engagement with practice (work) as a means of both generating and transferring new knowledge (shift). Our workshops enact new practices and collectively compose open educational resources for artists, art professionals, curators and art educators to adapt and implement. ‘Shift/Work’ is an iterative process, a rolling workshop that can be continually re-performed like a musical score. Given that SoTL generally does not feature in contemporary artistic practice or pedagogy, Shift/Work is distinctive and significant in its engagements with, and innovative contributions, to SoTL.

We will briefly outline the genesis and aims of Shift/Work in relation to SoTL and ‘educationally-turned’ contemporary artistic research, before focusing on Speculations, a participatory workshop composed at Edinburgh Sculpture Workshop then play-tested as part of the Kochi-Muziris Biennale in India (March 2017) and at the Faculty of Fine Arts, University of Agder, Kristiansand, Norway (Sept 2017). In Speculations participants develop, learn and apply speculative methods, processes and practices that cannot be held, observed or enacted without taking risks or experiencing their consequences. Rather than simply reflect upon speculation and artistic research, the workshop actually generates new speculative-artistic methods through participatory action research.

Speculations offers a unique insight into Shift/Work’s ludic approach to workshops as reciprocal and enmeshed game-rules governing how actants interact. Playing the ‘game’ – Speculations – leads to the rules being revised and updated, offering fresh game-theoretic insights. Speculations is, thus, a paragogy, a ludic and ‘meta’ practice of peer-to-peer learning that is central to artistic learning. It is a heuristic to improve our understanding of how parameters calibrate and enable adventurous, creative play. In turn, it demonstrates that play does not just make learning fun, it is constitutive of learning. Speculations unravels and clarifies Shift/Work’s commitment to codifying playful paragogy in order to publish and distribute it as an open educational and artistic resource. This has invaluable implications for SoTL as an experimental paragogy that can transform the whole field of education.

http://www.shift-work.org.uk

@ShiftWorkESW

Akadēmeia, Art, Education, Shift/Work, Talks

Shift/Work | Alberta College of Art & Design

@ACAD Alberta College of Art & Design – 1407 14 Ave NW, Calgary 🇨🇦 Tuesday v10th October, 1pm www.acad.ca

Shift/Work: Speculations

With Dan Brown, Neil Mulholland directs Shift/Work, a studio at Edinburgh Sculpture Workshop (ESW) that composes scores designed to encourage players to reflect upon and recalibrate artistic learning. Key to this is an open engagement with practice (work) as a means of both generating and transferring new knowledge (shift). ‘Shift/Work’ is an iterative process, a rolling workshop that can be continually re-performed like a musical score.

Neil will outline the genesis and aims of Shift/Work in relation to the rise of paragogy and para-academia (the ‘undercommons’ of contemporary art and knowledge). He will then focus on Shift/Work’s development of Speculations, a participatory workshop collectively composed at ESW to be performed as part of the Kochi-Muziris Biennale in India (March 2017) and at Teateret, Kristiansand, Norway (August 2017). He will demonstrate how to perform Speculations and provide a copies of its score as an open educational resource for artists to adapt and practise.

@ShiftWorkESW

Akadēmeia, Art

AHRC Creative Economy Studentship – Situating Artistic-Anthropological Research

PhD Title: Situating Artistic-Anthropological Research

AHRC Creative Economy Studentship

Atelier Skye ATLAS Arts & The University of Edinburgh Atelier Network, May 2017

The University of Edinburgh, in partnership with the University of Aberdeen, Deveron Projects (Huntly, Aberdeenshire), ATLAS Arts (Portree, Skye) and Collective (Edinburgh) is seeking to appoint a suitably qualified PhD applicant for a Creative Economy Studentship (CES) to conduct situated artistic-anthropological research that both contributes to, and helps us to better understand, the R&D, programming, commissioning and evaluation of art organisations. The studentship will commence in autumn 2017.

Value: Tuition fees at UK/EU rate (£4,195 in 2017/18). Maintenance award at RCUK rates (£14,553 for 2017/18) – for UK students only.

Deadline: 4pm 7th August 2017

Eligibility: 1st or Upper 2nd Class Undergraduate Degree, or international equivalent and a Master’s qualification in a relevant discipline (visual art, curatorial practice, anthropology). This studentship is only open to candidates from the UK/EU.

Supervisors:

  • Prof Neil Mulholland, School of Art, Edinburgh College of Art and Dean of PG Studies, College of Arts, Humanities & Social Sciences, The University of Edinburgh
  • Dr Richard Baxstrom, Social Anthropology, UG Director of School of Social & Political Science, The University of Edinburgh
  • Dr Jo Vergunst, Department of Anthropology, School of Social Science, The University of Aberdeen.
  • In association with Claudia Zeiske (Director, Deveron Projects), Emma Nicolson (Director, ATLAS Arts) and Kate Gray (Director, Collective)

Overview

The anthropological turn has played a uniquely prominent role in the history of contemporary art in, and beyond, Scotland. It has fostered advanced artistic practices and situated knowledges that are internationally celebrated and widely replicated. This raises the following research question:

How might the anthropological turn in contemporary art improve situated, relational, material and interdisciplinary approaches to R&D, programming, commissioning and evaluation of the arts?

By situating an itinerant researcher at the heart of Scotland’s most innovative and influential arts organisations, this research project will develop artistic-anthropological methods in ways that will have wide impact upon the arts. This is a unique opportunity to pursue an original doctoral research project involving two global Universities, and three leading arts organisations – Collective (Edinburgh), Deveron Projects (Huntly) and ATLAS Arts (Portree) – to develop an ‘exploded-view’ of artistic-anthropological research (‘AntArt’).

The successful candidate will develop:

  1. situated research
  2. practice-as-research
  3. inventive methods
  4. interdisciplinary research training

situated research

The successful candidate will be supported by three Scottish arts organisations. You may conduct fieldwork in-residence with each of our partner organisations, rotating between them up to three times annually. This will enable you to establish an iterative and itinerant approaches to contemporary AntArt research.

practice-as-research

This project enables artist-anthropologists, arts programmers and curators and to research and practice collectively. In both Anthropological and Artistic Research, the project constitutes a major contribution to practice-led knowledges: how we understand and document the flows of practice and the operational agency of contemporary art. By developing anthropo-artistic practices that incorporate processes of observation and evaluation, the project will expand our knowledge contemporary art practices in ways that can inform curating, programming and arts policy. A practice-led approach, in which processes are foregrounded, is therefore strongly encouraged. For example, you may observe each arts organisation in year one, develop a satellite/shadow programme in year two and implement your own practice-led outcomes in year three.

inventive methods

Collective, Deveron Projects and ATLAS share an investment in social practice, situated knowledges and the anthropological-turn. Equally, the supervisory team encourage the development of ‘inventive methods’: hybrid combinations of participant observation, ethnography, new materialist and artistic research methods. Together, we aim to develop new, qualitative methods for the evaluation of the arts that engage artists and audiences as partners and participants. Blending the disciplines of contemporary art and anthropology, the successful candidate will help to develop inventive methods to conduct situated artistic-anthropological research that will make a significant artistic contribution to programming, engaging custodians, makers, scholars and audiences in the processes of creative research.

interdisciplinary research training

You will be supported to devise and practise AntArt approaches to R&D programming and commissioning, that will, inherently, inform and improve methods for evaluating and supporting contemporary art. The successful candidate will lead the collective development of methods inspired by approaches currently shared by the artists, curators and programmers associated with our partners. You will, additionally, benefit from access to artistic and anthropological research training jointly offered by Edinburgh and Aberdeen Universities (such as STAR: Scottish Training in Anthropological Research), by the Scottish Graduate School for the Arts & Humanities and through the Scottish Graduate School of Social Science. The project is supported by the network Atelier: Making Research Material Across the Arts & Social Sciences:

https://www.eca.ed.ac.uk/research/atelier-creative-arts-and-social-sciences-network

Eligibility

Applicants should have a good undergraduate degree (1st or Upper 2nd Class Degree, or international equivalent) and a Master’s qualification in a relevant discipline such as art practice, contemporary curatorial practice or anthropology.

A record of engagement with, or interest in, hybrid AntArt methods would be welcomed.

Due to restrictions on the funding this studentship is only open to candidates from the UK/EU.

Funding Details Funded by the AHRC through the SGSAH for 3 years full time or 5 years part time study. Tuition fees at UK/EU rate (£4,195 in 2017/18). Maintenance award at RCUK rates (£14,553 for 2017/18) – for UK students only.

How to apply

Applications should be submitted through The University of Edinburgh’s Degree Finder system: https://www.eca.ed.ac.uk/study/postgraduate/art-phdmphil

Applications should be accompanied by a copy of a research proposal responding to the aims of the CES project outlined above, copies of original transcripts and degree certificates, a statement of application, a CV and two references. A covering letter stating that you wish to be considered for the AHRC Creative Economy Studentship – Situating Artistic-Anthropological Research should be sent to the ECA Postgraduate Office, by email

Further information

If you have any queries about the application process, please contact ecaresearchdegrees@ed.ac.uk Informal enquiries relating to the CES project can be made to Prof Neil Mulholland and Dr Richard Baxstrom

  • Closing date for applications: 7th August 2017
  • Interviews will be scheduled for last two weeks of August 2017
  • Starting date: 18th September 2017