Tag Archives: clickbait

ρan-ρan

ρan-ρan

by The Confraternity of Neoflagellants

Published July 1st 2021

New York, NY, Earth, Milky Way: punctum books, 2021.

208 pages, illus. ISBN-13: 978-1-953035-60-8.

DOI: 10.53288/0304.1.00

https://punctumbooks.pubpub.org/pub/out-now-pan-pan-the-confraternity-of-neoflagellants/release/2

🛒 Hardcopy: https://punctumbooks.com/titles/ρan-ρan U$21.00 in print: paperbound/5 X 8 in

⬇ OPEN-ACCESS e-book: https://library.oapen.org/handle/20.500.12657/49718

With the peristaltic gurglings of this gastēr-investigative procedural – a soooo welcomed addition to the ballooning corpus of slot-versatile bad eggs The Confraternity of Neoflagellants (CoN) – [users] and #influencers everywhere will be belly-joyed to hold hands with neomedieval mutter-matter that literally sticks and branches, available from punctum in both frictionless and grip-gettable boke-shaped formats.

A game-changer in Brownian temp-controlled phoneme capture, Pan-Pan’s writhing paginations are completely oxygen-soaked, overwriting the flavour profiles of 2013’s thN Lng folk 2go with no-holds-barred argumentations on all voice-like and lung-adjacent functions. Rumoured by experts to be dead to the World™, CoN has clearly turned its ear canal arrays towards the jabbering OMFG feedback signals from their scores of naive listeners, scrapping all lenticular exegesis and content profiles to construct taped-together vernacular dwellings housing ‘shrooming atmospheric awarenesses and pan-dimensional cross-talkers, making this anticipatory sequel a serious competitor across ambient markets, and a crowded kitchen in its own right.

An utterly mondegreen-infested deep end may deter would-be study buddies from taking the plunge, but feet-wetted Dog Heads eager to sniff around for temporal folds and whiff past the stank of hastily proscribed future fogs ought to ©k no further than the roll-upable-rim of Pan-Pan’s bleeeeeding premodern lagoon. Arrange yersel cannonball-wise or lead with the #gut and you’ll be kersplashing in no times.

About the Author

The Confraternity of Neoflagellants was founded in 2009 by Serjeant-At-Law Norman Hogg and joined by Keeper of the Wardrobe Neil Mulholland. It is a secular and equal opportunities confraternity bound by choreograph.

La Confrérie de Neoflagellants a été fondée en 2009 par le Sergent-At-Law Hogg et rejoint par Gardien des Vêtements Mulholland. Il s’agit d’une confrérie laïque et l’égalité des chances lié par chorégraphe.

CC BY-SA

ρan-ρan The Confraternity of Neoflagellants La Confrérie de Neoflagellants [(c)krs] #été is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license.

MInTOone80Five (NOT Clickbait!) (2019)

Confraternity of Neoflagellants, still from MInTOone80Five (NOT Clickbait) (2019)

MInTOone80Five (NOT Clickbait!) (2019)
Confraternity of Neoflagellants

A swampscape commission from Most Dismal Swamp
Features in Most Dismal Swamp 002: Whale Fall
Launch 29th March 2019, London

Instagram: @most_dismal_swamp
www.mostdismalswamp.com

Whale Fall curated by Most Dismal Swamp

Private view 29th March 6-9pm,
Gossamer Fog

186a Deptford High Street, SE8 3PR London, England
Exhibition continues 30th March – 28th of April
Swamp Angels:
@baojiaxiang, Scrabulous Anomaly in the Re-write Department, Confraternity of Neoflagellants, Department of Decay, Lewis Den Hertog, Plastique Fantastique, Bianca Hlywa, AGF HYDRA, Marija Bozinovska Jones with MBJ Wetware, Natalia Janula, Alexandra Koumantaki, Peter Lee, Christopher Macinnes, Piano Princess, Hannah Rose Stewart, Marta Stražičić, Tea Stražičić, Theo Triantafyllidis, Jennifer Walton.

Whale Fall is the carcass of a fetid dataset by 19 artists working across digital media, installation, performance, fashion, music, film and theory-fiction. At Gossamer Fog, it is remixed and presented as a site-specific film installation.

It is a project by Most Dismal Swamp, an experimental art platform and record label simulating and exploring a contemporary ecology that has come to be defined by the hallucinatory entanglement of multiple logics, systems, temporalities, and realities: a mixed-reality paradigm; a pervasive, horizonless swampscape.

Whale Fall focuses on the diverse bodies emerging from and inhabiting this ‘swampscape’, and how they might pose challenges to orthodox conceptions of personhood, intelligence, corporeality, and life. Do these categories perhaps even harbour assumptions that erase difference and confine the possibility-space of human social, ethical, technological, intellectual, political development? In other words, might an uneven and combined heresy (a revision of the human) possibly emerge from the somatic mutations and social transformations native to the swampscape?

A version of Whale Fall can be watched online at www.mostdismalswamp.com. And a digital release of the music by Jennifer Walton featured in Whale Fall, entitled Winged // Dislocated will also be available via Most Dismal Swamp and across all major streaming platforms.

This exhibition has been made with support from Arts Council England.
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Most Dismal Swamp is a mixed-reality biome, an art platform, a multi-scalar mystic fiction, a forecasting laboratory, a long tail, a transitional ecosystem, a party, a cognitive scaffold, a bad dataset, a curatorial MMORPG, a memeplex aggregator, a planetary weirding studio, and a record label.

It is a model for parsing, navigating, and elaborating a Dank Enlightenment: globally variable synaesthesia across multiple and simultaneous dimensions.

www.mostdismalswamp.com