Using only match-grade words, 2007 employed special interviewing practices to ensure world-class performance and accuracy with every word that we continue to prove on paper.
We must be sweet and tactful and discreet and when they've suffered defeat we mustn't let them feel upset or ever get the feeling that we're cross with them or hate them, our future policy must be to reinstate them.
The new modular repeating article was born of the most advanced design aspects of text available today and functionality for the modern predator aficionado.
The universal all-a-round article kit contains collapsible punctuation and an assortment of patches.
May 2010 - Glasgow International 2010, Art Review.
March 2010 - The Dark Knight Returns, Art Review.
December 2009 - Sequences, Reykjavik, Iceland,ArtReview.
Associates, DCA, Dundee, ArtReview, Issue 33, Summer 2009
Jonathan Owen, Doggerfisher, ArtReview, Issue 32, May 2009
MARCH 2009 “Dans l'air du Soir: Notes on Ambient Art” Public Art Scotland.
MAY 2008 'Creative Britons and Scottish Independents" Renewal, Vol 16, No.2, 2008
MAY 2008 'Self-Conscious Stateless Nation: The Renascence in Scottish Art' Third Text
DECEMBER 2007 N55 Services, Collective Gallery. ArtReview.
APRIL 2007 "Kirsty Stansfield, Tramway, Glasgow" Art Review, London.
APRIL 2007 "Preview: Edinburgh and Dundee", Contemporary, London.
SPRING 2007 "Tatham & O’Sullivan, Musselburgh"¸ Texte zur Kunst, Berlin.
MARCH 2007 'Interview with Peter Hill', Product, Edinburgh.
JANUARY 2007 "Alasdair Gray and Stuart Murray, The Embassy, Edinburgh", Frieze 104 , London.
NOVEMBER 2006 "Killing Time, Graham Fagen, DCA", Flash Art Interntional, Milan.
SEPTEMBER 2006 "Torsten Lauschmann: Mary Mary, Glasgow", Art Review, London.
SEPTEMBER 2006 "Edinburgh News", Contemporary, London.
AUGUST 2006 "Ouvreture: Matt Stokes", Flash Art International, Milan.
AUGUST 2006 "Dada's Boys: Fruitmarket, Edinburgh", Texte zur Kunst, Berlin.
AUGUST 2006 "Where the Wild Things Are: DCA, Dundee", Art Review, London.
JULY 2006 “Matt Stokes” Flash Art International, Milan.
JUNE/JULY 2006 "Blood n Feathers: Collective Gallery, Edinburgh", Flash Art International, Milan.
APRIL 2006 "Lucy McKenzie", Parkett, New York.
MARCH 2006"Vitamin D" [Book review] , Modern Painters, London.
JANUARY 2006 "In the Poem about Love you don't write the word Love - CCA, Glasgow", Art Review, London.
DECEMBER 2005 "Awkward Relations!, Tate Paper
DECEMBER 2005 "On the Road III" The Gun, Edinburgh.
DECEMBER 2005 "Lali Chetwynd" Art Review, London.
NOVEMBER 2005 British Art (does it) Show? Frieze, London.
NOVEMBER 2005 "John Russell, Transmission, Glasgow", Modern Painters, London.
NOVEMBER 2005 "British Art Show 6, Gateshead", Flash Art International., Milan.
AUGUST 2005 "Cai Guo-Qiang: Life Beneath the Shadow, Edinburgh" Modern Painters, London.
JULY 2005 "Keith MacIsaac, Edinburgh", Flash Art International No.244 Milan.
JULY 2005 "Dr Skin, Perth", Untitled, London.
MAY 2005 "Laurie Anderson: The Record of Time, Irish Museum of Modern Art, Dublin, MAP, Edinburgh.
MAY 2005 "Glasgow International: Various Venues, Glasgow", Flash Art International, Milan.
MAY 2005 "The China Syndrome (published under the title 'The Grand Tour'", MAP, Edinburgh.
MAY 2005 "The Invisible Collection (Chris Evans)", Untitled, London.
SUMMER 2005 "Use Your Illusions", Tate etc. Issue 4.
APRIL 2005 "Seek ye ur Questing Beast, Intermedia, Glasgow" Flash Art International, Milan.
JAN 2005 "Alberta Whittle, Robin Scott, Lee O'Connor, Rabiya Choudhry", Untitled, London.
JAN 2005 "London Eye: Keith Farquhar", Flash Art International, Milan.
JAN 2005 "Katy Dove", Flux, , Manchester.
JANUARY 2005 "The Colours are all the Wrong Shape", Product, Edinburgh.
OCTOBER 2004 "The Laird of Leith's Hamper", One O’Clock Gun, Edinburgh.
OCTOBER 2004 "Midwest Review: Degree Shows in the Midlands", Midwest, Birmingham.
SEPTEMBER 2004 "Going for Bronze", The Future, (Bloomberg New Contemporaries Liverpool).
AUGUST 2004 "The Parade", Untitled, London.
JULY 2004 "This Morning", Baston Blanco, Jafre Biennale, Spain.
JUNE 2004 "Maxwell’s Silver Hammer", Flux, Manchester.
JUNE 2004 "What time does the One O’Clock Gun Fire?", Flux, Manchester.
SPRING 2004 "Young Athenians", One O’Clock Gun, Edinburgh.
WINTER 2004 “Upackaging Art of the 1980s [Book Review]”, The Art Book, London.
NOVEMBER 2004 "Expander: Royal Academy, London", Frieze, London.
OCTOBER 2004 “Fire and Brimstone”, Frieze, London.
OCTOBER 2004 “Edinburgh Annuale”, Flash Art International, Milan.
SEPTEMBER 2004 “Mark Handforth”, Flash Art International, Milan.
SEPTEMBER 2004 “IRWIN: Like to Like”, Untitled, London.
AUGUST 2004 “Social Sculpture [Book Review]”, Frieze, London.
JUNE 2004 “Hanneline Visnes” Flash Art International, Milan.
JUNE 2004 “Ouroboros--The Music of the Spheres” Flash Art International, Milan.
APRIL 2004 “George Shaw” Flash Art International, Milan.
MAY 2004 “GAR NICHT SCHLECHT, DIESE BILDER! / Philip Guston in der Royal Academy, London,” Texte zur Kunst, Berlin.
JANUARY 2004 ”Lali Chetwyn”, Flash Art International, Milan.
DEC-JAN 2003 "Switchspace", Flux, Manchester.
JANUARY "Rip it off and Start Again", Product, Edinburgh.
NOVEMBER 2003 "Our English Cats" Texte zur Kunst, Berlin.
NOV-DEC 2003 "La Gallerie dans ma Poche", Flux, Manchester.
OCTOBER 2003 "Aperto Manchester" Flash Art International, Milan.
AUGUST 2003 "The Garden", Untitled, London.
AUGUST 2003 "Mark Leckey", Marmalade, London.
JULY 2003 "Lucy McKenzie", TATE, London.
JULY 2003, "Looking for Atlantis", Product, Edinburgh.
SPRING 2003 "Leaving Glasvegas", Sculpture Matters, Scotland.
MARCH 2003 "Come on Lady, Take off the dark sunglasses, Come on Mother, We all know it's you: Zu Gast bei John Byrne in Nairne, Schottland", Texte zur Kunst, 49, p93-100.
NOVEMBER 2003 "Artranspennine03", Frieze, London.
NOVEMBER 2003 "Chris Evans", Flash Art International, Milan.
OCTOBER 2003 “Michael Fullerton” Flash Art International, Milan.
AUGUST 2003 "Jordan Baseman", Flash Art International, Milan.
JANUARY 2003 "David Musgrave, Transmission, Glasgow", Flash Art International, Milan.
I wrote reviews for The Scotsman between 2002 and 2003 most of which can still be read on www.scotsman.com Here are a few examples:
Peter Donaldson, Transmission, Glasgow.
Jim Medway, Collective Galllery, Edinburgh
Kenny Hunter, Talbot Rice Gallery, Edinburgh
Richard Wilson, Talbot Rice Gallery, Edinburgh
Tatham & O'Sullivan, Modern Institute, Glasgow
Knowing Your Audience, CCA and The Chateau
WINTER 2002 "Hampstead Achieved", Untitled.
DECEMBER 2002"Leben mit der Leere: Bertrand Lavier und Philippe Parreno im Musee d'Art Moderne de la Ville de Paris", Texte zur Kunst, 48, p178-180.
DECEMBER 2002 "All you need to know, Laing Gallery, Newcastle", Frieze, London..
WINTER 2002 "Coloriage, Cartier Foundation, Paris", Untitled, London.
SEPTEMBER 2002 "Moyna Flannigan, Doggerfisher, Edinburgh", Flash Art International, Milan.
AUGUST 2002 "Steven Campbell: The Caravan Club, Talbot Rice Gallery, Edinburgh", Flash Art International, Milan.
AUGUST 2002 "Learning from Glasvegas: Scottish Art After the '90", Scottish Journal of Art History, p61-70.
AUGUST 2002 "Bill Posters is Guilty: The Ambient Corrections", Mute
JULY 2002 "Zvon 2002, City Gallery, Prague ", Frieze, London. p109-110.
SUMMER 2002 "Open Order, Switchspace, Glasgow", Untitled, London, No.28
MAY 2002 Rod Dickenson's 'The Milgram Re-Enactment', CCA, Glasgow, Mute, London, Issue 24, p64.
MARCH 2002 "HK, Glasgow, Tramway", Flash Art International, Milan, Vol. XXXIV No.223.
JANUARY 2002 "Aperto Scotland", Flash Art International, Milan, Vol. XXXIV No.222, p53-56.
JANUARY/FEBRUARY 2002 "Here and Now: Scottish Art 1990-2001", Frieze, London, p.105
DECEMBER 2001 "John Maeda", Dazed & Confused, No.84, p.138-143.
UTUMN/WINTER 2001 "Farquhar and Gibson", Untitled, London, No.26, p.33.
WINTER 2001 "Stephen Willats: Art and Social Function", Sculpture Matters, Edinburgh, Issue 13, p.18-19.
SEPTEMBER 2001 "Peter Saville's New Order", Dazed and Confused, No.83.
JULY 2001 "Ouevreture: Lucy McKenzie", Flash Art.
JUNE 2001"Dub'lintrooder, Transmission, Glasgow" Frieze, London.
MAY 2001 "Vivre Sa Vie, Various Locations, Scotland" Frieze, London.
SPRING 2001 "Mr Tayto and Mr Tayto: 20 Reviews - 20 Mins" Variant, Number 12, p29
DECEMBER 2000 "The Fall and Rise of Crisis Criticism", Visual Culture in Britain, No.2, Ashgate, London
NOVEMBER 2000 "Intelligence: New British Art at Tate Britain", Untitled, London, No.23, p28.
SUMMER 2000 "If I Ruled the World, CCA, Glasgow", Frieze, London.
APRIL 2000 "Book Review: Simon Ford's Wreckers of Civilisation & John A. Walker's Art & Outrage", British Journal of Aesthetics, Oxford University Press.
MARCH 2000 "Suit the Action to the Word - Live in Your HEad, Concept and Experiment in Britain 1965-1975 at teh Whitechapel Art Gallery, London 4th Februrary-2nd April 2000, Mute Issue 16 Full Text - Mute Version
SPRING 2000 Book Review Julian Stallabrass' "High Art Lite", Variant, Issue 10, p21-23.
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What is the main reason you carry a knife?
Hiking or Camping. Opening packaged items. To whittle. Hunting. Protection
AUGUST 1999 "Partitioning the Garden of England: Post-Ratiocination of the 1982 Virginia Astley Entente Initiative by The Antediluvian Institute", British Mytbic, Glasgow.
OCTOBER 1998 "We are Masonic Youth?", British Mythic, No.5, p21-26.
MAY 1998 "Host”, Art Monthly, No.217, June 1998, p26-28.
APRIL 1998 "Glasgow", Art Monthly, No.216, May 1998, p26-27.
MARCH 1988 "Guaranteed Disappointment: Punk Graphic Design at the Royal Festival Hall, ‘Destroy’, South Bank Centre, London", Variant, Vol. 2, No.5, Spring 1998, p5-7.
DECEMBER 1997 "Sensation at the Royal Academy, London”, The Burlington Magazine, Volume CXXXIX, Number 1137, p886-889.
DECEMBER 1997 "Decline of the English Avant-Garde", Inferno, University of St. Andrews Journal of Art History, Fife, Volume IV, p83-98.
NOVEMBER 1997 "“Why is there only one Monopoly Commission?", Variant, Volume 2, Number 4, p28-29.
