|
|
|||
2009 |
2008 |
2007 |
||
March 2009 Beyond the Object, Historical and Critical Studies, Glasgow School of Art. April 2009 The Centre is Here, www.g39.org www.chapter.orgSwansea, Cymru. 15th April 2009 Being British, Stephen Lawrence Gallery, University of Greenwich, London. |
28th April 2008 Party Fears Two, Painting & Printmaking Programmes, Glasgow School of Art. April 2008 Scottish Independents, Glasgow International, CCA, Glasgow. 25th June 2008 Psychedelia ICA, London. 9th October 2008 Parallel Lines, Goldsmiths College, London. 10th October 2008 Creative Britons, 'What is British Art?', Tate Britain, London. 20th October 2008 'Steven Campbell' Painting & Printmaking Programmes, Glasgow School of Art. 6th November 2008 Scottish Independents, UWE, Bristol. 6th November 2008 Parallel Lines, Associates, Spike Island, Bristol. 7th November 2008 Mark Leckey, Bath Film Festival, Bath. 21st November 2008 Changing Scotland, The Ceilidh Place, Ullapool. 4th December 2008 Play, National College of Art and Design, Dublin. |
August 2007Party Fears Two, Chelsea College of Art, Millbank, London. June 2007 Parallel Lines Cove Park, Scotland. Summer 2007 Interview with Alex Pollard Talbot Rice, Edinburgh. March 2007 Drawing Debate, DJCAD, Dundee. March 2007 "Build it and they Will Leave", Edinburgh Waterfront & Edinburgh City Council & RMJM. March 2007 "Devolving Scottish Art", Glasgow 1908-1980 What Happened? University of Glasgow. 17-18th February 2007 'Party Fears Two' at Prayer for (Passive?) Resistance, Old Parliament, Athens. March 2007 Parallel Lines Staedel School, Frankfurt am Main, Germany. |
||
![]() |
|
|||
2006 |
2005 |
2004 |
||
15-16th September 2006 Curating Post Nation, Arnolfini, Bristol. Read 'Curating Self-Consciously' in Mute Magazine for a summary of the events. A transcription of the event will be available in February 07. 8th September 2006 Writing Scottish Art, DCA, Dundee.
|
JULY 2005 RFIDs 4 VIPs, The Changing Room, Stirling. MAY 2005 Manchester Independents, Manchester Metropolitan University, Manchester. MAY 2005 Public Art and Viral Visual Culture, Gray's School of Art, Aberdeen. APRIL 2005 Contemporary Scottish Art, Scottish Society for Art History, Scottish National Gallery, Edinburgh. APRIL 2005 Scottish Independents, Manchester Metropolitan University, Manchester. MARCH 2005 Clean Hands Pure Heart - Graham Fagen Panel, Tramway Glasgow. MARCH 2005 Going for Bronze, City Art Centre/a-n, Edinburgh. FEB 2005 Interview with Keith Farquhar, Talbot Rice Gallery, University of Edinburgh. Under the Covers with Malcolm Garret, In the City, Manchester.
|
OCT 2004 Art History is History, European Art History Foundation, Edinburgh College of Art. OCT 2004 The New Internationalism, Frieze Art Fair, London. SEPT 2004 Use Your Illusions, (Living Dust), Norwich Gallery. AUG 2004 Retro Tableau, The Embassy, Edinburgh. 2004 No-one Driving, Castlefield Gallery, Manchester 2004 Taytographies and New Ambient Art, University of Central Lancashire, Preston. 2004 Brand New and Retro, Institute of Contemporary Arts, London MAY 2004 Interview with David Shrigley TATE Britain. MAY 2004 The Cultural Devolution, TATE Britain. MAY 2004 The Cultural Devolution, Glasgow School of Art. New Image New Danger, Glasgow School of Art. The Aye of the Tiger Talbot Rice, Edinburgh. |
||
![]() |
|
|||
2003 |
2002 |
2001 |
||
2003 Steven Campbell, Talbot Rice, Edinburgh. The Ambient Corrections, SNGMA, Edinburgh. The Haunted Swing Live, Collective Gallery and Cabaret Voltaire, Edinburgh. Back to the Futurism Glasgow School of Art. History of Environmental Art, Glasgow School of Art. [annual lecture] Scottish Art After the ’90, CCA, Glasgow. Becks Futures, CCA, Glasgow. Under the Covers with Peter Saville, In the City, Manchester.
|
Full Touch Moon Landry, Transmission, Glasgow. Leaving Glasvegas, Duncan of Jordanstone College of Art & Design, Dundee.Scottish Art After the ’90, Grays School of Art, Aberdeen. Bill Posters is Guilty, Manchester Metropolitan University. Under the Covers with Peter Blake, In the City, Manchester. |
No Future, University of Wolverhamption. 2001 Nostalgia of duM, Edinburgh College of Art [symposium organiser] |
||
|
![]() |
|
||
1999 |
1998 |
|||
|
23rd October 1999 “WANDSWORTH 17th September 1999 “Double-Barrelled Assaults on Culture”, UKIC Paintings Section Meeting - Ethics and Aesthetics, Glynn Vivian Art Gallery, Swansea, Wales.
|
9th May 1998 “Guaranteed Disappointment: British Semiotic Art in 1976”, Imaging the Word: Makars in Motion, Fifth Annual Aberdeen Word and Image Conference, King’s College, University of Aberdeen. 23rd February 1998 “Who Am I? Where Am I Going? How Much Will it Cost? Will I Need any Luggage?”, Other Times, Other Places, Department of History of Art, University of Glasgow. |
||
|
|
||||
1997 |
1996 |
|||
29th November 1997 “Double-Barrelled Assaults on Culture”, Scottish Interdepartmental Art History Conference, School III, St. Salvators Quadrangle, University of St. Andrews. 3rd July 1997: “Closing the Stable Door After the Milk is Spilt: Post-Conceptual Painting in Britain”, mind(ing) the gap(s), Centre for the Study of Literature and Theology, University of Glasgow. 4th March 1997: “Monty Cantsin ©’s Karen Eliot: Description, Proscription and Paranoia in Contemporary British Art”, Post-Graduate Research in Scotland, Association of Art Historians Conference, Hunterian Art Gallery, Glasgow. |
NOVEMBER 1996: “British New Waves: T.J. Clark vs. Soft Cell”, Ornament, Decoration and Decorative Arts, Department of History of Art, University of Glasgow. March 1996: “Why was there only one Monopolies Commission?: Crises in British Art 1976-79”, Anti-art History or Anti Art History?, Department of History of Art, University of Glasgow.
|
|
||